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If you really intend to be smarter, reading can be among the whole lots ways to stimulate and also understand. Many individuals that such as analysis will have more understanding as well as experiences. Checking out can be a way to get information from business economics, politics, scientific research, fiction, literary works, religion, as well as many others. As one of the part of publication classifications, constantly ends up being the most wanted book. Many people are definitely searching for this publication. It implies that many like to read this type of publication.
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A book at some time serves as tool to connect far better as well as smarter with other. A publication will additionally work as a guideline and also advice of you to do something. A book will entail countless experience as well as understanding to share to the others. This is just several of the advantages of a book. However, how is the means to obtain those advantages? Naturally, guide will certainly offer their benefit if you review them. So, a book doesn't have to only present on the shelves or overdo the table. They have to be read.
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Product details
File Size: 2644 KB
Print Length: 397 pages
Publisher: Houghton Mifflin Harcourt; First edition (May 24, 2011)
Publication Date: April 1, 2018
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B004X7TLOC
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Amazon Best Sellers Rank:
#320,633 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I base my review on the text itself but the Kindle edition is a disgrace.This was a fascinating look into the issue surrounding the return of looted classical art work purchased by the Getty over the years. It is well written and develops a good chronological timeline as well as insight into the personalities involved that was not readily apparent if you read only the newspaper accounts. I would agree with most of the four- and five-star reviews here on Amazon.For Kindle customers I have this to add: this digital edition is a disgrace; I have notified Amazon. There are numerous editing errors, none of the photos are included, and there was no indication until I got to the end of the text that there were interesting and informative notes. In the "Notes" section there were two types of indicators for the notes, some linked back to the text and some did not. Some notes were preceded with this symbol "[>]" in front of the note, which links back to the text; others merely had what appears to be a page number in front of the note but the number did not link back to the text nor did the digital edition provide page numbers! Truly a disappointment.
I NEVER knew museums were into such skulduggery ! I always assumed that with their cultured airs they were cultured people of cultured tastes and impeccable standards.This book was an amazing education on how museums come by their valuable collections. This book centers on a particular scandal however, it is hard to imagine that this does not continue to some degree today.The looting of antiquities to fill the worlds' leading museums and the originating countries' fights to get the items back is a riveting read.Most museums required "incontrovertible " absolute proof of an item's being looted and sold through the black market before they would give it back to the requesting country. It was noted that this is tougher proof than is required for a murder trial ! Acquiring the treasured item....not so much proof needed. Giving it back.......more proof needed than to convict a murderer ! Amazing.It's a great read. Highly recommend it even if you're not a museum buff and familiar with all the antiquities being discussed.
The stories of illegally excavated art investigated in this book span decades of smuggling, legal battles, and near constant prevarication on the part of museums. It's a fascinating look at corruption and hypocrisies in museums, all the more interesting and surprising (to me, at least) because I wasn't familiar with these pieces of art or the Getty's legal woes before picking up this book.When one thinks about it, it's not remotely surprising that many of the antiquities displayed around the world in museums are looted or illegally exported, given the historical plunder of source countries. What's surprising is the complicity of museums, and the lengths to which the world's leading museums went to protect their acquisitions' veneer of legitimacy. The Getty and other museums used their missions of public education as an excuse to build prestige by acquiring looted antiquities, all the while declaring their devotion to legitimizing the antiquities trade.It's an amazingly well researched book. Complicated import/export laws, museum policies, and foreign legal proceedings are explained in a way that is easy for someone completely unfamiliar, such as myself, can easily follow.
Wow - reads like a thriller and packed full of information. Not only does the author expose the ugly history of looted antiquities, but he skillfully sets forth the historical conundrum. If some of the antiquities had not been preserved in American and European museums they might not have survived war and destruction. But shouldn't countries have a right to their patrimony? Even now, archeological and cultural items are being destroyed in Iraq and Syria. The brilliance of "Chasing Aphrodite" is that it puts the issues in historical context and doesn't settle for an easy answer. He tells the story through the characters and highlights moral failures of the characters. Bravo for telling the story, weaving a thrilling tale, and focusing on the broader issues. Thank you! I will never visit a museum again without thinking of this book.
The desire to acquire stuff must be one of those human traits right up there with the need for food, shelter and sex. This book seems well-researched work (if over-stuffed) on the backstory of acquisitions at the Getty in particular and museums in general. Some of the people featured in the book are indelibly linked, for good or for ill, to the museum's collection (and there is much controversy and more than one side to what's presented here). The lust to acquire by individuals and organizations fuels the looting of artifacts and the market for forgeries. On a recent docent-led tour at the Met I heard a docent remark "We have one of the best collection of Egyptian artifacts outside Egypt. And we don't have to give any of it back! " Point taken.
I was amazed at how many elite museums in the U.S. were involved in buying looted art, which is most likely still going on to some extent. This book was an outgrowth of investigative reporting and subsequent series in the L.A. Times. Interesting characters and well written. Makes me want to go back and read “House of Getty†again.
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